| Life of Pi (2012), which is directed by Ang Lee, is a American live-action computer-animated adventure drama film based on Yann Martel's 2001 novel of the same name. |
Mise-en-scene:
- Conformed to realism
- Location
- Zoo: the place Pi has lived
- Ship: had a wreck
- Lifeboat: Pi and the tiger has lived on it and it was floating on the ocean
- A secret and mysterious island
- Hospital in Maxico
- Costume
- Simple
- Woman were wearing Indian clothes
- Pi’s clothes were dirty, messy and broken, later he was even half-naked: to show that his situation became worse gradually
- Pi was saved eventually and he wore white clothes: clean, new life
- Time
- Pi’s past and present day
- When the accident happened: storm, at night
Cinematography:
- Focus
- Rack focus
- From LAN to tiger
- From Vishnu to those who were throwing something on them
- From Pi’s face to his shaky hand holding a meat to Richard: show his reckless and nervous
- From Anandi to Pi: show their connection
- Selective focus
- Only focus on Pi but not his father and brother: show the main character
- Focus on Pi and his brother but not his father as they were mumbling that his father can’t hear
- Camera angle
- Low angle
- When father was telling Pi how dangerous the tiger was: to exaggerate the danger and scare of the tiger
- Showed Pi’s power and determination when Pi was extremely hungry and there were a huge amount of fish on the lifeboat
- When Pi was dying and looked up to the sky: to show that he was talking to his family who were in the heaven
- High angle
- The tiger became a little bit scared of Pi because of his threat and determination
- Eye-level
- When there were many fish flying towards Pi, it has used his eye to present what was happening in front of him
- Lighting
- source
- Always available especially when Pi and the tiger were on the lifeboat: came from nature: more realistic
- Mixing sources? At night, but there were many jellyfish which provided the light in the ocean
- Available? The light came out from the sky when Pi met up the storm again
- Colour saturation
- Saturated: at the beginning: showed the wild animals in zoo
- Desaturated: in the past: greyish, washed out, like ‘Slumdog Millionaire’: poor and simple places, like slum
- Camera distance
- MCU
- When father was blaming Pi: to emphasize the father’s anger on Pi
- When Pi was saved and calling his family: his loneliness on the lifeboat
- Pi was crying when it was back to the present at last: focus on presenting the true feeling about his life
- CU
- The face of the tiger: to focus on its facial expression in details
- When Pi was looking up to the sky: to show his worse situation on the lifeboat
- XLS
- When Pi was inside the warehouse of animals: to show his loneliness
- When Pi was jumping into the ocean and nothing was there except the fish: he was the only human there
- After the storm, his boat was floating on the ocean with nothing around him
- When there was a whale passed by: openness, freedom, comparison between the enormous whale and Pi with the lifeboat
- Nothing else except the lifeboat on the ocean and became peaceful again after second storm
- XCU
- The tiger’s eyes when Pi opened the cloth to see the tiger: emphasized its hostility through its eyes
- From LS to CU
- At last Pi told people another story: to help focusing and build up the emotion gradually
- Camera movement
- Aerial shot
- There was a storm when Pi’s family was on the ship: to show what was happening on the ocean and the seriousness of the storm
- There was nothing left except the boat, Pi and the tiger after those animals being eaten by the tiger
- Handheld
- When Pi was running on the deck: to show how shaky the ship was
- Always used when Pi and the tiger were on the lifeboat to be more realistic
- Tilt
- Pi was running on the deck: to show the ship was extremely shaky and inclined
Editing:
- Continuity editing
- Establishing shot
- house surrounded by trees and wild animals
- the church and the surrounding when Pi was 12
- Shot/ Reverse/ Shot
- When dad was blaming Pi angrily
- Eyeline match: use a lot but just some special moment
- Always used as Pi looking at the tiger
- When Pi was saved and looking at the place that the tiger went away: means that Pi wanted to see the tiger
- Re-establishing shot
- Always showed the ocean again to remind the audience that Pi and the tiger were still on the lifeboat drifting on the ocean
- Shot transition
- Fade in/out
- at the beginning: animals to animals
- always used as eliminating the time or the progress
- brought back to the past and present
- fade to black
- when Pi was the only one in his family to be saved and then: fade to black, the storm was over
- wipe
- when Pi was describing his life with the tiger and the lifeboat, the scene was wiping another aside to start to present what he has experienced
Use of sound:
- Non-diegetic sound
- Soft tone at the beginning: create a wild, natural and comfortable atmosphere
- The background music was like an orchestra when Pi met up the storm again: a bit passionate to lift audience’s emotion
- Pi was as a narration to tell his story in the past
- When Pi was fighting with those left animals, there was always no non-diegetic sound: more realistic, can focus more on what they were doing
- Dialogue privileged over other sounds: escapist, illusion of real space and time
Others:
- Allow space for memorable dialogue: ‘Above all, don’t lose hope.’
- Theme
- Life
- Region
- Treasuring
- Stories and narrative structure
- Types: adventure
- Linear, backstory: flashback, dialogue
- Closure
- Not exactly following the Todorov’s theory as it had many difficulties and Pi solved them
- Who appears in them
- ‘hero’: Pi (and the tiger): a young boy ( and an animal)
- Villain: Pi’s family
- Use of stars
- Not a particular star that has been used in another film before
- But the type, Indian, is always used in such kind of film
- i.e. bad situation: have no money, living in a poor place
- e.g. ‘Slumdog Millionaire’
- Technology
- Production perfection
- Meet audiences expectations and experiences of changing technologies e.g. special effects: animals, lighting
- Digital technology
- filmed in studio
